Recordings by Johnny Cash

Album: American IV: The Man Comes Around
Label: American 63339
Year: 2002
Producer: Rick Rubin & John Carter Cash
Comment:  The final release by American while Cash was alive. The album contains Trent Reznor's "Hurt". This song would become a visual masterpiece when is was combined with the artistically flawless video which profiled a retrospective on Cash's career and mortality. The song and video defined the power of music videos to the industry and won Cash legions of fans. 

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 Track Listing (Click to hear sample)

1. Man Comes Around, The
2. Hurt (Quiet)
3. Give My Love To Rose
4. Bridge Over Troubled Water - (with Fiona Apple)
5. I Hung My Head
6. First Time Ever I Saw Your Face, The
7. Personal Jesus
8. In My Life
9. Sam Hall
10. Danny Boy
11. Desperado - (with Don Henley)
12. I'm So Lonesome I Could Cry - (with Nick Cave)
13. Streets Of Laredo, The
14. Tear Stained Letter
15. We'll Meet Again

 

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Liner Notes

 

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Info

Personnel

  • Johnny Cash - Vocals, Guitar, Acoustic Guitar, Arranger, Adaptation
  • Fiona Apple - Vocals
  • Nick Cave - Vocals
  • Don Henley - Vocals
  • Mike Campbell, John Frusciante, Randy Scruggs - Acoustic Guitar, Guitar
  • Thom Bresh, Jeff Hanna, Kerry Marx, Marty Stuart - Acoustic Guitar
  • Smokey Hormel - Acoustic Guitar, Slide Guitar, Guitar
  • Jack Clement - Dobro
  • Joey Waronker - Drums
  • David Ferguson - Ukulele, Engineer, Mixing
  • Laura Cash - Fiddle, Production Assistant
  • Terry Harrington - Clarinet
  • Benmont Tench - Organ, Piano, Harmonium, Keyboards, Mellotron, Vibraphone, Pipe Organ, Wurlitzer
  • Roger Manning - Piano, Tack Piano Harmonium, Mellotron, Chamberlin, Orchestra Bells
  • Billy Preston - Piano, Keyboards

Additional personnel

  • Rick Rubin - Producer
  • John Carter Cash - Producer, Engineer
  • Thom Russo, Andrew Scheps, Chuck Turner - Engineers
  • Vladimir Meller - Mastering
  • Christine Cano - Art Direction, Design
  • Martyn Atkins - Photography
  • Lindsay Chase - Production Coordination
  • Dwight Hume, Jimmy Tittle - Production Assistants

 

 

 

Recorded:
Recorded at The Cash Cabin Studio, Hendersonville, Tennessee and The Akademie Mathematique Of Philosophical Sound Research, Los Angeles, California.

 

Charts

Album - Billboard (North America)

Year

Chart Position
2002 Country Albums 2
2002 Pop Albums 22

 

 

Info

When the first volume of Johnny Cash's AMERICAN series appeared in 1994, it would have been difficult to predict its critical and commercial success, much less the fact that an illness-beset Cash would be turning out a powerful fourth installment of the series eight years later. Like its three predecessors, AMERICAN IV is a home-recorded, bare-bones Rick Rubin production wherein Cash tackles old classics by other writers as well as more contemporary tunes by artists from the rock world, with a smattering of his own new compositions thrown in. It's also arguably the strongest since the first volume.

Now that the novelty of hearing the Man in Black tackle tunes by the likes of Depeche Mode ("Personal Jesus") and Nine Inch Nails ("Hurt") has worn off, we can get past the gimmickry to fully appreciate the power of Cash's soul-baring interpretations. He brings an equal amount of gravitas to old country and folk tunes like "Streets of Laredo" and "Give My Love to Rose." To hear Cash's worn, husky, lived-in voice inhabit the world-weary narrative of the Beatles' "In My Life" and the graphic, almost spiritual romance of the Ewan MacColl-penned ballad "The First Time Ever I Saw Your Face" is to be led directly to the heart of these songs' deepest meanings.

***

 

 

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Lyrics

  1. "The Man Comes Around" (Cash) – 4:26

There's a man goin' 'round takin' names. An' he decides who to free and who to blame. Everybody won't be treated all the same. There'll be a golden ladder reaching down. When the man comes around. 

The hairs on your arm will stand up. At the terror in each sip and in each sup. For you partake of that last offered cup, Or disappear into the potter's ground. When the man comes around. 

Hear the trumpets, hear the pipers. One hundred million angels singin'. Multitudes are marching to the big kettle drum. Voices callin', voices cryin'. Some are born an' some are dyin'. It's Alpha's and Omega's Kingdom come. 

And the whirlwind is in the thorn tree. The virgins are all trimming their wicks. The whirlwind is in the thorn tree. It's hard for thee to kick against the pricks. 

Till Armageddon, no Shalam, no Shalom. Then the father hen will call his chickens home. The wise men will bow down before the throne. And at his feet they'll cast their golden crown. When the man comes around. 

Whoever is unjust, let him be unjust still. Whoever is righteous, let him be righteous still. Whoever is filthy, let him be filthy still. Listen to the words long written down, When the man comes around. 

Hear the trumpets, hear the pipers. One hundred million angels singin'. Multitudes are marchin' to the big kettle drum. Voices callin', voices cryin'. Some are born an' some are dyin'. It's Alpha's and Omega's Kingdom come. 

And the whirlwind is in the thorn tree. The virgins are all trimming their wicks. The whirlwind is in the thorn tree. It's hard for thee to kick against the pricks. 

In measured hundredweight and penny pound. When the man comes around. 

And I heard a voice in the midst of the four beasts, And I looked and behold: a pale horse. And his name, that sat on him, was Death. And Hell followed with him. 

 

  1. "Hurt" (Reznor) – 3:38
    Originally recorded by Nine Inch Nails for The Downward Spiral (1994)
    I hurt myself today
    To see if I still feel
    I focus on the pain
    The only thing that's real
    The needle tears a hole
    The old familiar sting
    Try to kill it all away
    But I remember everything

    [Chorus:]
    What have I become
    My sweetest friend
    Everyone I know goes away
    In the end
    And you could have it all
    My empire of dirt
    I will let you down
    I will make you hurt

    I wear this crown of thorns
    Upon my liar's chair
    Full of broken thoughts
    I cannot repair
    Beneath the stains of time
    The feelings disappear
    You are someone else
    I am still right here

    [Chorus:]
    What have I become
    My sweetest friend
    Everyone I know goes away
    In the end
    And you could have it all
    My empire of dirt
    I will let you down
    I will make you hurt

    If I could start again
    A million miles away
    I would keep myself
    I would find a way
     
     
  2. "Give My Love to Rose" (Cash) – 3:28
    Originally recorded by Cash for Sun, appears on Sings Hank Williams (1960)
    I found him by the railroad track this morning
    I could see that he was nearly dead
    I knelt down beside him and I listened
    Just to hear the words the dying fellow said

    He said they let me out of prison down in Frisco
    For ten long years I've paid for what I've done
    I was trying to get back to Louisiana
    To see my Rose and get to know my son

    Chorus:
    Give my love to Rose please won't you mister
    Take her all my money, tell her to buy some pretty clothes
    Tell my boy his daddy's so proud of him
    And don't forget to give my love to Rose

    Tell them I said thanks for waiting for me
    Tell my boy to help his mom at home
    Tell my Rose to try to find another
    For it ain't right that she should live alone

    Mister here's a bag with all my money
    It won't last them long the way it goes
    God bless you for finding me this morning
    And don't forget to give my love to Rose

    Chorus:
    Give my love to Rose please won't you mister
    Take her all my money, tell her to buy some pretty clothes
    Tell my boy his daddy's so proud of him
    And don't forget to give my love to Rose
     
     
  3. "Bridge Over Troubled Water" (Simon) – 3:55
    Originally recorded by Simon and Garfunkel for Bridge over Troubled Water (1970)

    When you're weary, feeling small,
    When tears are in your eyes, I will dry
    them all;
    I'm on your side. When times get rough
    And friends just can't be found,
    Like a bridge over troubled water
    I will lay me down.
    Like a bridge over troubled water
    I will lay me down.

    When you're down and out,
    When you're on the street,
    When evening falls so hard
    I will comfort you.
    I'll take your part.
    When darkness comes
    And pain is all around,
    Like a bridge over troubled water
    I will lay me down.
    Like a bridge over troubled water
    I will lay me down.

    Sail on silvergirl,
    Sail on by.
    Your time has come to shine.
    All your dreams are on their way.
    See how they shine.
    If you need a friend
    I'm sailing right behind.
    Like a bridge over troubled water
    I will ease your mind.
    Like a bridge over troubled water
    I will ease your mind.
     
     
  4. "I Hung My Head" (Sting) – 3:53
    Originally recorded by Sting for Mercury Falling (1996)
    Early one morning
    With time to kill
    I borrowed Jebb's rifle
    And sat on a hill
    I saw a lone rider
    Crossing the plain
    I drew a bead on him
    To practice my aim

    My brother's rifle
    Went off in my hand
    A shot rang out
    Across the land
    The horse, he kept running
    The rider was dead
    I hung my head
    I hung my head

    I set off running
    To wake from the dream
    My brother's rifle
    Went into the sheen
    I kept on running
    Into the south lands
    That's where they found me
    My head and my hands

    The sheriff he asked me
    Why had I run
    And then it came to me
    Just what I had done
    And all for no reason
    Just one piece of lead
    I hung my head
    I hung my head

    Here in the court house
    The whole town was there
    I see the judge
    High up in the chair
    Explain to the court room
    What went through you mind
    And we'll ask the jury
    What verdict they find

    I felt the power
    Of death over life
    I orphaned his children
    I widowed his wife
    I begged their forgiveness
    I wish I was dead
    I hung my head
    I hung my head

    I hung my head
    I hung my head

    Early one morning
    With time to kill
    I see the gallows
    Up on a hill
    And out in the distance
    A trick of the brain
    I see a lone rider
    Crossing the plain

    And he'd come to fetch me
    To see what they'd done
    And we'd ride together
    To kingdom come
    I prayed for god's mercy
    For soon I'd be dead
    I hung my head
    I hung my head

    I hung my head
    I hung my head

     

  5. "The First Time Ever I Saw Your Face" (MacColl) – 3:52
    Was a number one hit for Roberta Flack (1972)
    The first time ever I saw your face, I thought the sun rose in your eyes.
    And the moon and stars were the gifts you gave,
    To the dark and the endless sky, my love.
    And the first time ever I kissed your mouth,
    I felt the earth move through my hands.
    Like the trembling heart of a captive bird
    That was there at my command.

    And the first time ever I lay with you,
    I felt your heart so close to mine.
    And I know our joy would fill the earth,
    And last till the end of time, my love.

    The first time ever I saw your face.
     
     
  6. "Personal Jesus" (Gore) – 3:20
    Originally recorded by Depeche Mode for Violator (1990)
    Your own, personal, Jesus
    someone to hear your prayers,
    someone who cares

    Your own, personal, Jesus
    someone to hear your prayers,
    someone who's there

    Feeling unknown
    and you're all alone,
    flesh and bone,
    by the telephone,
    lift up the receiver,
    I'll make you a believer

    Take second best,
    put me to the test,
    things on your chest,
    you need to confess,
    I will deliver,
    you know I'm a forgiver

    Reach out and touch faith
    Reach out and touch faith

    Your own, personal, Jesus
    someone to hear your prayers,
    someone who cares

    Your own, personal, Jesus
    someone to hear your prayers,
    someone to care

    Feeling unknown
    and you're all alone,
    flesh and bone,
    by the telephone,
    lift up the receiver,
    I'll make you a believer
    I will deliver,
    you know I'm a forgiver

    Reach out and touch faith
    Reach out and touch faith
    Reach out and touch faith

    Reach out and touch faith

     

  7. "In My Life" (Lennon/McCartney) – 2:57
    Originally recorded by The Beatles for Rubber Soul (1965)

    There are places I'll remember
    All my life
    Though some have changed
    Some forever
    Not for better
    Some have gone and some remain
    All these places have their moments
    With lovers and friends
    I still can recall
    Some are dead and some are living
    In my life
    I've loved them all

    But if all these friends and lovers
    There is no one
    Compares with you
    And these memories
    Lose their meaning
    When I think of love
    As something new

    Though I know I'll never lose affection
    For people and things that went before
    I know I'll often stop and think about them
    In my life
    I love you more

    Though I know I'll never lose affection
    For people and things that went before
    I know I'll often stop and think about them
    In my life
    I love you more
    In my life
    I love you more

     

  8. "Sam Hall" (Ritter) – 2:40
    Originally recorded by Cash for Sings the Ballads of the True West (1965)
    Well, my name it is Sam Hall, Sam Hall.
    Yes, my name it is Sam Hall; it is Sam Hall.
    My name it is Sam Hall an' I hate you, one and all.
    An' I hate you, one and all:
    Damn your eyes.

    I killed a man, they said; so they said.
    I killed a man, they said; so they said.
    I killed a man, they said an' I smashed in his head.
    An' I left him layin' dead,
    Damn his eyes.

    But a-swingin', I must go; I must go.
    A-swingin', I must go; I must go.
    A-swingin', I must go while you critters down below,
    Yell up: "Sam, I told you so."
    Well, damn your eyes!

    [Instrumental break]

    I saw Molly in the crowd; in the crowd.
    I saw Molly in the crowd; in the crowd.
    I saw Molly in the crowd an' I hollered, right out loud:
    "Hey there Molly, ain't you proud?
    "Damn your eyes."

    Then the Sherriff, he came to; he came to.
    Ah, yeah, the Sherriff, he came to; he came to.
    The Sherriff, he come to an he said: "Sam, how are you?"
    An I said: "Well, Sherriff, how are you,
    "Damn your eyes."

    My name is Samuel, Samuel.
    My name is Samuel, Samuel.
    My name is Samuel, an' I'll see you all in hell.
    An' I'll see you all in hell,
    Damn your eyes.
     
  9. "Danny Boy" (Weatherly) – 3:19
    First published in 1910, previously recorded by Cash for Orange Blossom Special (1965)
    Oh, Danny boy, the pipes, the pipes are calling,
    >From glen to glen and down the mountain side;
    The summer's gone, and all the roses falling;
    It's you, it's you must go, and I must bide.

    But come ye back when summer's in the meadow,
    Or when the valley's hushed and white with snow;
    I'll be here in sunshine or in shadow;
    Danny boy, Oh Danny boy, I love you so.

    But if you come and all the flowers are dying,
    If I am dead, as dead I well may be.
    You'll come and find the place where I am lying,
    And kneel and say an "Ave" there for me.

    And I will know, 'though soft ye tread around me,
    And then my grave shall richer sweeter be,
    Then you'll bend down and tell me that you love me,
    And I shall rest in peace until you come to me.
     
     
  10. "Desperado" (Frey/Henley) – 3:13
    Originally recorded by The Eagles for Desperado (1973)
    Desperado, why don't you come to your senses?
    You been out ridin' fences for so long now.
    Oh, you're a hard one,
    But I know that you've got your reasons.
    These things that are pleasin' you,
    Can hurt you somehow.

    Don't you draw the queen of diamonds, boy,
    She'll beat you if she's able.
    Know the queen of hearts is always your best bet.
    Now it seems to me, some fine things,
    Have been laid upon your table.
    But you only want the things that you can't get.

    Desperado, oh, you ain't gettin' no younger:
    Your pain and your hunger, they're drivin' you home.
    And freedom, oh freedom,
    Well, that's just some people talkin'
    Your prison is walking,
    Through this world all alone.

    And don't your feet get cold in the winter time?
    The sky won't snow, the sun won't shine
    It's hard to tell the night time from the day
    You're loosin' all your highs and lows
    Ain't it funny how the feeling,
    Goes away?

    Desperado, why don't you come to your senses?
    Come down from your fences, and open the gate
    It may be rainin', but there's a rainbow above you,
    You better let somebody love you,
    You better let somebody love you,
    You better let somebody love you,
    Before it's too late.
     
  11. "I'm So Lonesome I Could Cry" (Williams) – 3:03
    Originally recorded by Hank Williams; previously recorded by Cash for Now, There Was a Song! (1960)
    Hear that lonesome whippoorwill?
    He sounds too blue to fly.
    The midnight train is whining low:
    I'm so lonesome I could cry.

    I've never seen a night so long,
    When time goes crawling by.
    The moon just went behind a cloud,
    To hide its face and cry.

    Did you ever see a Robin weep,
    When leaves begin to die?
    That means he's lost his will to live.
    I'm so lonesome I could cry.

    [Instrumental break]

    The silence of a falling star,
    Lights up a purple sky.
    And as I wonder where you are,
    I'm so lonesome I could cry.
    I'm so lonesome I could cry.
     
  12. "Tear Stained Letter" (Cash) – 3:33
    Originally recorded by Cash for A Thing Called Love (1972)
    I'm gonna write a tear stained letter,
    I'm gonna mail it straight to you.
    I'm gonna bring back to your mind,
    What you said about always bein' true.
    Bout our secret hidin' places;
    Bein' daily satisfied.
    I can see you sittin' and readin' it,
    While you hang you head and cry.
    I just hope you're not so sad,
    You're gonna go down suicide.

    I'm gonna write a tear stained letter:
    Put it special delivery.
    'Cause it's gonna be full of stuff,
    That's only known to you and me.
    'Bout how every time I get turned on,
    You turn me off and bring me down.
    It'll be about the darkest news,
    That ever did arrive in your hometown.
    It'll be about the saddest thing,
    Your mailman ever did bring around.

    I'm gonna write a tear stained letter,
    I'm gonna tell you one more time.
    That you still could reconsider,
    And come back to bein' mine.
    An' if you think about what I'm sayin',
    It'd be hard to refuse.
    Just be sure you think a long time,
    On the answer that you choose.
    It will be a most important piece,
    Of personal, private news.

    [Instrumental break]

    I'm gonna write a tear stained letter:
    Mark it "Personal Private News."
    An' I hope you'll keep it to yourself,
    An' don't go 'round cryin' the blues.
    Givin' off a bad impression,
    As to what went really wrong.
    When what it was was that suddenly,
    The music was all gone.
    And this man and this woman got cut off,
    In the middle of our song.

    I'm gonna write a tear stained letter:
    I'm gonna put it to a tune.
    So I'll be sendin' with it,
    A sweet melody for you.
    And not some red-hot, upbeat zinger,
    That'll set your body on fire.
    But a hunk of love included,
    Meant to take you a little higher.
    And to settle on your sweet, sweet mind,
    At night when you retire.

    I'm gonna write a tear stained letter.
     
  13. "Streets of Laredo" – 3:41 (Traditional)
    Originally recorded by Cash for Sings the Ballads of the True West (1965)
    As I walked out on the streets of Laredo.
    As I walked out on Laredo one day,
    I spied a poor cowboy wrapped in white linen,
    Wrapped in white linen as cold as the clay.

    "I can see by your outfit that you are a cowboy."
    These words he did say as I boldly walked by.
    "Come an' sit down beside me an' hear my sad story.
    "I'm shot in the breast an' I know I must die."

    "It was once in the saddle, I used to go dashing.
    "Once in the saddle, I used to go gay.
    "First to the card-house and then down to Rose's.
    "But I'm shot in the breast and I'm dying today."

    "Get six jolly cowboys to carry my coffin.
    "Six dance-hall maidens to bear up my pall.
    "Throw bunches of roses all over my coffin.
    "Roses to deaden the clods as they fall."

    "Then beat the drum slowly, play the Fife lowly.
    "Play the dead march as you carry me along.
    "Take me to the green valley, lay the sod o'er me,
    "I'm a young cowboy and I know I've done wrong."

    "Then go write a letter to my grey-haired mother,
    "An' tell her the cowboy that she loved has gone.
    "But please not one word of the man who had killed me.
    "Don't mention his name and his name will pass on."

    When thus he had spoken, the hot sun was setting.
    The streets of Laredo grew cold as the clay.
    We took the young cowboy down to the green valley,
    And there stands his marker, we made, to this day.

    We beat the drum slowly and played the Fife lowly,
    Played the dead march as we carried him along.
    Down in the green valley, laid the sod o'er him.
    He was a young cowboy and he said he'd done wrong.
     
  14. "We'll Meet Again" (Charles/Parker) – 2:58
    Most famously a hit for Vera Lynn (1939)
    We'll meet again, don't know where, don't know when,
    but I know we'll meet again some sunny day!
    Keep smiling through, just like you always do,
    'till the blue skies drive the dark clouds far away!
    So, will you please say hello to the folks that I know?
    Tell them I won't be long!
    They'll be happy to know that as you saw me go,
    I was singin' this song:
    We'll meet again, don't know where, don't know when,
    but I know we'll meet again some sunny day!
    So, will you please say hello to the folks that I know?
    Tell them I won't be long!
    They'll be happy to know that as you saw me go . . .
    I was singin' this song:
    We'll meet again, don't know where, don't know when,
    but I know we'll meet again some sunny day!
    We'll meet again, we'll meet again . . .

 

 

 

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