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ChartsSingles - Billboard (North America)
Info While stepdaughter Carlene Carter was hanging out with then-husband Nick Lowe and his British roots rock mates Dave Edmunds, Martin Belmont, and Pete Thomas, Johnny Cash decided to see what they thought about the font they claimed for inspiration: rockabilly and roots country. Lowe got to produce one track on Rockabilly Blues, as did old pal and rockabilly co-conspirator Cowboy Jack Clement. Earl Pool Ball did the other eight, but Cash held the reins tight. Rockabilly Blues, along with Johnny 99 — also reissued by Koch — is one of the great lost Cash records. Not only does it feature two of his finer songs from the period, the title track and the bitter love song "Cold Lonesome Morning," it features Cash singing a pair of gems by Billy Joe Shaver, "The Cowboy Who Started the Fight" and "It Ain't Nothing New Babe," as well as one by Cash acolyte Kris Kristofferson, "The Last Time" (which, incidentally, is one of the last times a new Kristofferson tune was recorded by anyone). Cash's "Rockabilly Blues (Texas 1955)" is not essentially a rockabilly tune, though Edmunds' guitar playing certainly embodies its feel — but then, Cash was never a rockabilly singer, either. "One Way Rider," with its horns and staccato pacing, is the perfect song for Lowe to produce. June Carter is wailing on the duet, and the slide guitar parts ring like jagged bells through the heart of the mix. The only problem with this set is how quickly it blazes by. Why Columbia wasn't interested in Cash in 1980 is as confusing now as it was then. All the kids they groomed to come up after him, including newbies Montgomery Gentry, would have killed to make a record this fine. Re-Release Info Reissue producer: Dave Nives. Recorded at Quadrafonic Studio, JMI Recording Studio, Nashville, Tennessee and U.K. Pro Studio, London, England. Includes liner notes by Grant Alden. This criminally underrated 1980 album came during what's mistakenly regarded as a fallow period in Cash's recording career. The idea was to make a record that would bring Cash back to his rockabilly roots. That's not exactly what happened--there's hardly any real rockabilly on this album--but the results are impressive nonetheless. The hard-hitting, stripped-down sound does recall the lean, mean Cash of days long past, and the material rivals anything from his '70s or late-'70s catalog. Things open with a kick on "Cold, Lonesome Morning," an unflinchingly realistic account of a failing romance, full of the hard-bitten fatalism that made songs like "Folsom Prison" so successful. A winning take on Nick Lowe's gem "Without Love" features the Attractions' Pete Thomas on drums, and fits perfectly into the sonic scheme. Quirky, memorable tunes by Kris Kristofferson and Billy Joe Shaver crop up as well, performed with characteristic precision and aplomb. ***
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Lyrics 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
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