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Subject: June and John on the Opry

The Carter Sisters and Mother Maybelle (the name of the group comprising MM, Helen, June and Anita until 1961, after A.P. Carter died, when they assumed the name of The Carter Family) joined the Opry and radio station WSM in June 1950, when J.R. Cash was just graduating from high school. At the time, the Opry was "just" a radio show, albeit the preeminent one, and the girls "moved up" from station KWTO, which had its own show in Springfield, Missouri, bringing with them their guitarist Chester Atkins, who had joined them while they were at their previous job, station WNOX's Tennessee Barn Dance in Knoxville. MM & CS were members of the Opry into the early 1960's when they resigned to tour regularly with the Johnny Cash Show. But the makeup of the group ebbed and flowed over the years. 1950 was a transitional year, absolutely. 
 Helen married Glenn Jones in March, and Anita married Dale Potter. June, coming off a #1 record with Homer & Jethro in late 1949 ("Baby, It's Cold Outside") had her own first solo recording sessions ("Grandma Told Me So" was released in early 1950 on RCA)  and Anita's first solo ("God Sent My Little Girl")came out in August. Anita wanted to be a wife and moved to Alabama with her new husband and appeared sporadically, especially after 1955 when she became part of the rock group Nita, Rita and Ruby. June also pursued a solo career after marrying Carl Smith in July 1952 and even more so after their divorce, when she moved to New York City to study acting. Various other artists, such as Becky Bowman, were part of the group at this time. In the 1953-54 period the sisters were sometimes together as Opry artists and appeared on the syndicated Opry TV series. Thus (to get to the point of this post) they did cross paths ever so briefly and slightly with Johnny Cash in the mid-50s. However, there was no connection: John recorded for Sun; the girls had left RCA, joined Columbia and then had no recording contract after 1954, but toured extensively due to their manager, Col. Tom Parker, who also was representing another Memphis lad, Elvis Presley, at the time. So, their careers were on different tracks.

John was also a member of the Opry, but the relationship was rocky. The famous 1965 incident where, in a rage, he stomped out all the footlights of the stage was the last straw, and he was advised they "couldn't use him anymore." Of course, he redeemed himself bigtime when he chose to host his TV show from the stage of the Ryman Auditorium in 1969-71. But he was too busy and too popular to give up prime touring days (Saturday nights and, later, Fridays) to fulfill an Opry obligation (they were, back then, much more strict on artists actually showing up), so rejoining as a regular member was never an option.

So Johnny Cash and June Carter were never a "duo" on the Grand Ole Opry. Neither were ever able (or willing) to crack into the tight Opry community--he was a rockabilly from Memphis who moved to Hollywood, not Nashville, in 1958. She was a cohort of people like Hank Williams and Elvis, two others who were not exactly favorites of the Opry brass, and her divorce from huge Opry star Carl Smith was bitter. When June married John in 1968, it was not looked on as the marriage of two titans at the time. Although they had won a Grammy for "Jackson," John had not yet been "resurrected" ("At Folsom Prison" had not yet been released), and the industry more or less considered it "troubled singer marries member of his band," albeit a prominent one. They of course sang together on the stage of the Ryman, and later, the new Opry House, but not as "members." For (one final) example, the Original Carter Family waited EIGHT years after the formation of the Country Music Hall of Fame before they were inducted. To us today (well, at least to me), that is unconscionable, but it reflected the reality that they (and their offspring) never got "inside."

 

- Mark

 

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