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Tennessee Three make Dyess stop

Bob Wootton and W.S. Holland, the remaining members of the Tennessee Three, Johnny Cash's back-up band, are greeted by Dyess Mayor Larry Sims as they step out of the JC Unit One tour bus. (Town Crier photo/Nan Snider)
By NAN SNIDER Town Crier News Staff

The Tennessee Three, Johnny Cash’s band for almost four decades, made Dyess, Ark. the last stop Saturday, in their international tour to promote their new album “The Sound Must Go On.”

Even though the “Man in Black” is gone, the two remaining members of the band who helped create his unique sound continue to pay tribute to him. Only two original members of the group remain, Bob Wootton, guitarist and lead vocalist, and W.S. Holland, on the drums. Holland, formerly of Paris, Ark., joined the group in 1960 and Wootton, from Saltillo, Tenn., joined in 1968.

“The title of our album, The Sound Must Go On, reflects the sound our fans expect to hear from us,” Holland said. “They want stirring and emotional songs, and that familiar boom, chikka-boom beat.”

The Tennessee Three is carrying on another Cash tradition, the inclusion of family members in the act. New band members added for the tour include Wootton’s wife Vicky Wootton, with vocals and rhythm guitar, his daughter Scarlett Wootton, vocals, and Lisa Horngren, vocals and the upright bass. On occasion his youngest daughter Montana Wootton, 8, makes a special appearance.

A crowd gathered at the old Dyess High School Saturday afternoon and took great pleasure in seeing the “JC Unit One” tour bus pull up out front. The tour bus has as much nostalgia wrapped up in it as the Tennessee Three do.

The historic tour bus was customised by Johnny Cash in 1979 and was the only private bus that Cash ever owned and toured in.

“This bus served as a home on wheels when Johnny (Cash) and his wife June Carter traveled the country,” Wootton said. “They put a lot of little things inside it that reminded them of home. The door to the bathroom is covered with alligator hide. Johnny claimed he killed it in the Bahamas, although we aren’t sure if he did or not. There is a wooden door near the entrance that is made from walnut wood from their Hendersonville, Tenn. farm.”

“Johnny sold the tour bus three months before his death in 2003 to the American Heritage Music Foundation in Blytheville,” said Trevor Chowning, TN3’s personal manager. “They in turn sold it to MotoeXotica in St. Louis, Mo., who auctioned it on e-Bay. Dave Wright, of Columbus, Ohio, purchased the vehicle on e-Bay Motors in November 2003 and had it restored to its original condition. He has loaned it to the Tennessee Three for their tour, and hopes to donate it to a museum afterwards.”

Chowning said the vehicle was also used for the 1991 Highwayman Tour, to transport Willie Nelson, Waylon Jennings, and Kris Kristofferson.

“At one time we all traveled in vans or a Bluebird school bus,” Holland said. “It was quite a luxury when we got this nice tour bus. Johnny Cash traveled on this bus for 17 years.”

Dyess Mayor Larry Sims greeted Wootton and Holland as they made their exit from the bus. He invited them inside the gymnasium to take part in the big country meal he had promised would be waiting for them. The table inside were filled with barbecue and all the trimmings, along with homemade cakes and pies, and gallons of sweet tea.

Area vocalist and musician Barbara Warhurst played familiar country songs in the background, much to delight of the visitors, as they have made music their life.

“We are so pleased to have the Tennessee Three here in Dyess, where Johnny (Cash) grew up,” Sims said. “We feel like they are part of our family too. They are coming back on July 8 to entertain as part of our fundraiser to establish a Dyess-Johnny Cash Memorial.

“Since the movie “Walk the Line” came out and people found out part of it was filmed here, we have had a lot of visitors come to town,” Sims said. “We don’t have anything here to pay tribute to Johnny Cash, and we thought this would be the best year to do something about that.

“Johnny’s brother Tommy Cash has pledged his support in helping with the fundraiser, and recording artist Buddy Jewell has agreed to donate his time to present a concert as a fundraiser for the memorial. So many people have agreed to help us, that this may turn into a whole weekend event. We will be back in July.”

“We have renovated the old gymnasium and will be erecting a stage for the performances,” he said. “We had to take up the gym's wooden floor and will be painting the concrete underneath. We hope to be able to seat 1,000 people in the gym per performance. Some groups may do more than one performance.”

“We have been on tour for three weeks,” Wootton said. “Our last concert was at the Snorty Horse, in Mt. Vernon, Mo., last night. We couldn’t go back to California without heading south to Dyess. We have been anxious to see this town for ourselves and meet the people. They sure have gone out of their way to show us great Southern hospitality. We want to help them raise the money for the memorial, as it would be fitting, and we know Johnny would have loved it.”

“We want to see if we can help create enough excitement for the fundraiser to build a very nice memorial for Johnny Cash,” Holland said. “He wrote and sang about his life here in Dyess all of his life.”

“The first song I ever heard Johnny sing was “I Walk the Line,” Wootton said.

He couldn’t resist bursting out in a chorus or two of the song. He sounds remarkably like Cash, and even has a striking resemblance. He has even worked as a Cash double upon occasion, when Johnny was alive.

“We have been overwhelmed by the show of support for our Cash memorial event,” Sims said. “National recording artists and local musicians have volunteered their time and expressed interest in making a contribution to our July event.”

Even Willie Stegall, owner of Johnny Cash’s homeplace, west of Dyess, has expressed interest in possibly opening his home for tours.

“I have lived in Johnny’s former house for 33 years,” Stegall said. “Johnny came by many times to look at the house after he left here. His days spent here were very eventful in his life growing up. Even Joaquin Phoenix, who played Johnny in the movie, came out to my house when he was in town filming. He gave me some of Johnny’s books and a big cigar. I smoked on that cigar for days. I want to do something to help also, as we just have to erect a memorial for such a famous man as Johnny Cash. He remembered us, now it is our time to remember him.”

Clay Turner

 

 

CMT to honors Hank Williams Jr. with Johnny Cash award

March 30, 2006

NASHVILLE, Tenn. (AP) — Hank Williams Jr. will receive Country Music Television’s Johnny Cash Visionary Award during the 2006 CMT Music Awards show next month, the cable network announced Wednesday.

Hosted by comedian Jeff Foxworthy, the program airs live April 10 from Nashville.

"I’ve been around a long time, and life still has a whole lot of surprises for me," said the 56-year-old Williams, who joins such previous winners as Loretta Lynn, Reba McEntire and the Dixie Chicks.

CMT said Williams’s creativity and passion have helped shape country music.

Williams, the son of Hank Williams Sr., began his career performing his legendary father’s songs but in the 1970s forged his own musical identity by fusing country music with the southern rock of groups such as the Allman Brothers, Lynyrd Skynyrd and the Marshall Tucker Band.

"My manager back then said I was nuts. He said, ‘I don’t know what’s wrong with you. Just do your daddy’s stuff,’ " Williams recalled during a recent interview.

Williams has sold 50 million albums with hits including Texas Women, Born to Boogie, Family Tradition and All My Rowdy Friends (Are Coming Over Tonight).

He also was a pioneer in music videos, pairing with friend Waylon Jennings in 1983 for his first one, The Conversation. The following year he called on Jennings, George Jones, Willie Nelson, George Thorogood and others to appear in his All My Rowdy Friends video.

He used cutting-edge production in 1989 to create the illusion of him performing a duet with his late father on the video for There’s a Tear in My Beer.

****

Off Key: Cash is Money

 by Ben Horowitz
 published on Thursday, March 30, 2006

Horowitz
Horowitz
 

I can distinctly remember the moment I realized why Johnny Cash's music has achieved the rare quality of timelessness in American pop culture. It was winter break my freshman year, and I was in my best friend's '89 Cadillac, racing down a tree-lined highway in Florida.

We were going to meet up with some old friends and see one of our favorite bands, when I fell asleep in the back seat. I woke up to the sound of "The Man in Black," which I'd never heard before.

I'd heard a few of Cash's songs before, but until that day it had never come across what a badass he was. That was the year Cash died and the year his cover of "Hurt" exploded. For awhile, he was everywhere.

Over winter break, I finally saw "Walk the Line" (I know, I'm really slow on the uptake for movies). Everyone I know loved it, whether they were Cash fans before or were converted by the film.

Every aspect of the movie deserved the critical acclaim it received. The acting was superb, the concert scenes were well-performed, and the script was well-written. However, having read Cash (by Johnny Cash) two years before "Walk the Line" hit theatres, there was one thing about the movie that disturbed me.

Anyone who's familiar with Cash's work knows that it's basically impossible to discount the influence his religion played in his songs. Sometimes it's as direct as tracks like "All God's Children Ain't Free" or his entire album of gospel songs. More frequently, it's more subtle, like in "The Man Comes Around" from his last studio-produced album, which is filled with imagery from the biblical Book of Revelations.

In Cash, the Man in Black references his early days working the fields, singing hymns with his mother. He talks about the influence of his brother, who died young, who could recite any story from the gospel by memory.

These are both handled pretty well in the movie. What the filmmakers neglected to include was Cash's account of his own re-conversion to Christianity.

In the book, Cash talks about one of his countless nights spent drugged out of his mind. He decided to take his own life in a pretty untraditional method, befitting one of the "original rebels" (as Willie Nelson called him once) -- he decided he would crawl as far as possible into a cave, leaving himself no way out, and lay there until he died.

It was in that cave that Cash said he felt God's presence, and more or less heard God speaking to him, telling Cash what he said was his own destiny. It didn't include dying in a cave.

Needless to say, when Cash emerged from the cave alive, he had a new source of inspiration to kick the drug habit.

This is, of course, a much different story than "Walk the Line's" coerced rehabilitation at the hand of June Carter, who would become his second wife.

According to Cash, Carter did play a big role in Cash's recovery. But why did the filmmakers cut what was so obviously a life-changing event out of the film?

By leaving out Cash's own version of why he became an outspoken Christian, the movie ignores one of the most central aspects of Cash's life and one of the most influential elements of life that played a role in his music.

Did the filmmakers think that the movie-going public would be made uncomfortable by the direct relationship Cash experienced with God? Were they afraid it would have made Cash look less like a bad-ass country music rebel and more like a slightly insane Bible-thumper, ultimately cutting into the film's bottom line?

Is the film's superficial religiosity indicative of a general disrespect for religious songwriters?

The producers' reasoning is only known to them. However, by merely paying lip service to a major part of Cash's life, they've robbed the film's viewers of a chance to gain even more respect and understanding for Cash's legacy.

Reach the reporter at benjamin.horowitz@asu.edu.

 

******

Johnny Cash Remains Australia’s Best Seller

Johnny Cash

by Paul Cashmere

March 29 2006

Forget new albums from the likes of Ben Harper, David Gilmour or Jamie Foxx. The biggest selling artist in Australia for the last 4 weeks has been a dead country star … Johnny Cash.

Following the success of the biopic ‘’Walk The Line’, Cash has been hot property in music stores.

While Ben Harper managed to debut at number one this week with sales of just under 10,000 units, the Cash placements in the Top 100 generated around 12,000 sales.

The ‘Walk The Line’ album has been lodged in the Top 10 for more than a month. In addition, ‘The Essential Johnny Cash’ this week was at #23, ‘Ring of Fire’ was at #25, The Prison box was at #40, ‘Duets’ is at #58 and ‘The Great Johnny Cash’ is at #65.

*****

 

Johnny Cash's Cadillac Goes Under The Hammer NEWS » MUSIC NEWS

Johnny Cash's Cadillac Goes Under The Hammer
In Florida...

 
By: Scott Colothan on 3/30/2006


A 1975 Cadillac once owned by the late-great Johnny Cash is set to go under the hammer tomorrow (March 31).

The auction will take place at the Barrett-Jackson Palm Beach Collector Car Event in Florida.

The vehicle is in a good condition and comes complete with documentation confirming that it’s Johnny Cash’s car.

A statement from Barrett-Jackson reads: "What else would Johnny Cash ride in besides a big, black Cadillac?

"For any Johnny Cash fan, and I know plenty that will be present at our Palm Beach event, this is an opportunity to own a legendary car that has been in the ownership of one of the coolest performers our planet has ever seen.”

*****

Roseanne Cash talks 'the line'

Palm Beach Post Staff Writer

Wednesday, March 29, 2006

It's there in so many ways. The wide smile, curling up slightly from the thin lips. The black hair. The deep, dark eyes that hint of mischief. The affinity for black clothing. The songs.

She knows how much is a gift and how much is hard work. Take her as she is.

Hi, I'm Rosanne Cash!

For more than 30 years, the best-known child of Johnny Cash has been writing and singing songs. She's good at it. She's had some monster hits — remember Seven Year Ache? Some say her new album, Black Cadillac, is her best ever. But as talented as she is, she also is raising a family; so she only occasionally hits the road. One of those rare trips brought her to Palm Beach March 8, to a benefit at the Mar-a-Lago Club for the Caron Foundation, a nationwide network of substance-abuse centers.

While her producer, co-writer, and husband, John Leventhal, goes through the sound check, Rosanne takes time to talk — to reflect on the last three tumultuous years and on what's to come.

She knows she has good genes: Daddy was a legend and her mom wasn't so bad either. But lives aren't built just on heredity: She wants to be recognized for her own abilities.

First of all, she can sing. And not with Daddy's twang. She's a skilled musician and possibly even more talented as a songwriter. She's a little bit Tennessee but a lot more L.A. and New York. She's a little bit country but a lot more pop and rock. She's proud. She's confused. Angry. Delighted. Defiant. A little upset about her life in the last three years when so many dear to her have died, but also optimistic about its course.

Last summer she saw Walk the Line, which became one of the year's biggest hits and won Reese Witherspoon an Oscar for her portrayal of stepmother June Carter Cash.

"People come up to me and say, 'Oh the movie was so wonderful, you must have loved it,' " Rosanne says of well-meaning fans. "And I'm thinking, did you actually take in what the subject matter was?

"It's very intense and it's not like it was a movie about all the positive things in my childhood. It's a screen version of the breakup of my parents' marriage. What kid wants to see that?"

Her mother, she says, deserves a lot more credit than the movie gives her. Vivian Liberto Cash was married to Johnny for 13 years and bore four daughters. She divorced him because of his drug problems. She married Dick Distin, a California cop, and they stayed married for 35 years, enjoying life "off the line" in Ventura, Calif. She died of complications from surgery for lung cancer last May on Rosanne's birthday.

"She was so tough. She was incredible," Rosanne said. "She ordered the universe around her. She had her circle of friends. Like on her birthday, she would receive 60 birthday cards, just on a regular birthday, all from close friends. I'm serious.

"She was president of a garden club, she was involved in her church, she went dancing, she did crafts. She just did everything.

"When she died, my husband said, 'That's an example of a life well lived.' She involved herself in everything, and loved to give parties. But she was very, very private."

Nevertheless, before she died, her mother finished a book gleaned from love letters she and Johnny wrote each other while he was in the Air Force, mostly in Germany, between 1950 and '54. It's due out next Valentine's Day.

Bookend deaths, punctuated by Johnny's in September 2003. Add those of an aunt, a stepsister and godmother in the same period, and no one was surprised when Rosanne's new album took a sobering look at life and death.

But Black Cadillac, released in January, is anything but morbid. The hurt is there, but so is optimism.

"It was really a concise, structured period of time. The first song I wrote a month before June died, and the last song I wrote a month after my mother died," she said. "The rest were written and recorded in that two-year period. It was very compelling, but I didn't have an idea starting out that I was going to do an album about death and loss. I mean, who would choose to do that?

"But I was dealing with an overwhelming amount of feeling, and as a songwriter my instincts were to take it to music. So it was very useful to me to have a sense of poetry and discipline and a rhyme scheme and melodies to put to all of this. I'm a very structured person anyway, and to make sense of it in that way was really helpful."

She could have written a book, too. Actually one has been in the works for four years.

"It's way overdue," she said. "I started it long before all this happened, but it's coming along. Plus, my editor lives across the street from me. He takes me to dinner occasionally."

Digging deep

But more than anything, Rosanne is a songwriter.

She believes in the power of a good rhyme. "It removes it from being a diary," she says. "A song requires work and structure and it's married to a melody.

"Also, the music is very transcendent. I didn't want to write a diary or a memoir. If I'd wanted to do that, I would have done it all in prose."

In the studio, she liked what she heard. "When I was hearing playback, "I'd go 'Oh, I've got to release this out into the world.'

"I'm 50 years old. My friend (filmmaker) Ethan Russell says you've got more things to say and less time to say it. Stop hedging your bets."

So what does she have to say?

She talks about her father in Black Cadillac (the type of car her father drove):

It was a black Cadillac

that drove you away

now everybody's talking

but they don't have much to say

It was a black sky of rain

none of it fell

now one of us gets to go to heaven

one has to stay here in hell.

 

She talks about her parents' courtship in I Was Watching You:

 

Headlights on a Texas road

Hank Williams on the radio

a church wedding, they spent all they had

now the deal is done to become mom and dad

 

And I was watching you

from above

long before life

there was love

 

Baby, I'll be watching you

from above

long after life

there is love.

 

And in God Is In The Roses, Rosanne, who was raised Catholic and has explored Buddhism, talks about spirituality:

 

God is in the roses

the petals and the thorns

storms out on the oceans

the souls who will be born

and every drop of rain that falls

falls for those who mourn

God is in the roses

And the thorns

 

She's still searching for answers to the biggest questions.

"In my best moments I believe that maybe even we're the ones who are asleep and the dead are the ones who've woken up. It's nice to turn that on its ear and ponder that for a while.

"Most of the time I believe in the survival of the soul. Energy doesn't die, it just transfers. That's a basic law of physics. I have my moments of deep, dark doubt — that's on the record, too. I mean, it's human, isn't it? Can you trust people who say they never doubt?"

Demons on Earth

Rosanne believes her role is not to judge but to observe. She saw her father and other family members and friends battle drugs and booze. They wrecked her first marriage to country singer Rodney Crowell. That's what brought Cash to Palm Beach. The Caron Foundation has helped people she knows.

"I'm so grateful that I don't have that illness, but there are several people in my family that do or did," Cash said, "and my heart just breaks for them. Even if they're clean and sober, they struggle with it for the rest of their lives. The illness is there, and it's just heartbreaking.

"I have a friend, a really good friend, who just got out of Caron, a musician. He told me a few days ago he'd played a show and it was the first time he'd played music on stage straight in more years than he could remember. He got tears in his eyes. The music was front and center again. For a musician to be separated from his music by drugs, that's as hard as being separated from a loved one.

"We all did it in the '80s. Luckily some of us got through it and woke up and went, 'No.' Some didn't. Imagine what it would like be like if (Jimi) Hendrix or Janis (Joplin) were still around. Businessmen, scholars, truck drivers, no one's immune.

"It seems like artists and musicians have more than their fair share of problems, but I have a theory about that. I think it's because you're used to going to these deep psychological places to work creatively and sometimes you don't know how to come back out. So you use substances to get down there and to come back out and then it just doesn't work anymore."

Getting it right

But the inward visits do work for Cash. In 1995 she married John Leventhal, a gifted musician, songwriter and producer who had worked with Crowell on several projects. She and her three daughters said goodbye to Nashville and settled into New York's Chelsea neighborhood where they added a son.

Leventhal added stability, logic and practicality to her life.

"Jewish men make very good husbands," she said. "He's a very good provider. All that structure that I need.... And I've brought him a sense of the mystical and some freedom.

"I have a friend who's an astrologer who looked at both our charts. He looked at me and sighed and said, 'The two of you would make one really great person.' We complete each other."

As an 18-year-old, Rosanne left L.A. to sing back-up for Johnny, living at Cash Mountain near Nashville when she wasn't on the road.

"I never loved the road. I never really did," she said. "I only liked it in limited doses in the summer for a few weeks. Now when I do go out, I take my little boy. That's fun. He's 7, but that's also why I don't go. We keep it to like one day or two. I never really toured because of my children... 250 dates a year... never. My dad did. Not me. The road is hard. It's brutal."

(From April to mid-October, she has a whopping nine shows scheduled, including a May 27 date at the Florida Folk Festival in White Springs.)

When Rosanne decided to leave the nest, her mother expressed her reservations, but she didn't try to discourage her. Now she finds herself dishing out the same advice.

"One of my children runs an independent record label. She's a real type A personality, so it's just perfect for her, but she calls me every day saying, 'They're making me crazy!' So I say, 'Quit!'

"Then I have one who's a songwriter, but she called me up and said, 'Mom, how can I be a musician and not have a public life?' It touched me so much, but I said, 'I don't know, baby.'

"It's a crazy business."

Rosanne hopes her girls will listen and understand that she's been there. She also hopes the songs on Black Cadillac will help others to listen and understand what she's been through in the last three years.

"First there's a sense of liberation because they're not suffering, and you're remembering good things," she said. "With my dad, everybody said it takes a year, it takes a year, that after the first anniversary, some things start to lift a bit.

"But with three (June, Johnny and Vivian), I bounce off the shock of each of them at different times. I want to go to the phone and call my mom, and the next day I'm thinking about June's china, how much she loved her china, and the next day I'm thinking Dad should hear this song.

"It's those moments that kind of knock you over.

"I didn't lose Johnny Cash; nobody did. I lost my father. But I look at my life as one of appreciation. I think the greatest spiritual practice is counting your blessings and then just letting go, no expectations."

 

*****

 

CASH TRIBUTE CD SPECIAL UPDATE -  MARCH 23rd 2006

Note: All regular updates are provided on www.johnnycash.com under "Standing in His Shadow".  As forum members, you should all have access to the site.

Hi Folks,
 
You might have seen in the "Walk the Line" movie credits that John Carter Cash was the Executive Producer of the film and that Johnny's long-time manager, Lou Robin, was the Associate Producer.
 
These 2 gentlemen, along with Kelly Hancock and the Cash Estate Trustees are responsible for steering me in the proper direction with completing our long-awaited CD project.  We have worked closely together over the past 2 1/2 years since the initial conception of this massive project.
 
Due to their involvement with Walk the Line, there were a number of delays that I had to be patient with - especially since John Carter and Lou are ultimately responsible for approving the musical and written liner note content, plus the drawings of Johnny, various poems and the cover photos being used.  Some, which were provided by our own Bill Miller.  Hence, I must adhere to their said guidelines as the "middle man" and general coordinator.
 
Since Walk the Line is now out on DVD, I can again focus on the completion of the production and further address the outstanding legalities with the assistance of Lou Robin, Lou's attorney, John Carter Cash, Bill Miller, our studio staff and art department - plus, a few other licensing administrators and post production engineers.
 
Please accept my personal apologies for any delays, as we have had many - nonetheless, we all want this project to turn out spectacular!  I'm sure that it won't top Walk the Line or many other professionally recorded films or CD tributes to Johnny, but it will be well worth the $12.00 (plus Shipping & Handling) for 24 song tracks that were all submitted and recorded by Official JohnnyCash.com forum members and their bands with assistance from our studio staff of musicians and vocalists at R & B Studios.
 
When the timing is right, as judged by John Carter, Lou Robin, the Cash Estate Trustees and myself, the CD will then be "Cash Approved" and released for sale at some point in 2006 through R & B Studios and through various Cash-related websites.  No definite release date is yet set, so please don't prematurely plan any CD release parties.
 
The release date may not be ultimately determined by me, as the Executive Producer of the project, since there are a few hurdles to yet overcome - nevertheless, everything is falling into place, as a whole.  I'll keep everybody posted as to it's progress and provide a release date closer to the time.  Have faith, continued patience and be rest assured that this unique CD will be a huge success and a pleasant surprise for all!
 
Thank you again, for your contribution to the CD!
 
Sincerely,
Rick Bowman

****

 
American Idol Finalist Chris Daughtry Catches Flak for Cash Tune
By Lynda Johnson
Mar 26, 2006
 

American Idol finalist and favorite Chris Daughtry has sprang to the top of the heap of the popular Fox TV Reality show with some very strong performances. He is obviously seasoned and a fantastic rock performer.

But now he is catching some flak over a rendition of a Johnny Cash tune that he performed last week.

AP is reporting that "American Idol" chat rooms were buzzing Friday over a controversy surrounding Chris Daughtry's version of "I Walk the Line.  Judges praised Daughtry for making the song his own when he performed the Johnny Cash tune on the Fox network show.

But some fans say the version wasn't Daughtry's, but ripped off from one done by the band Live in 2001.

Will this be enough to derail the popular singer as a budding star? 

Hardly. 

All of the contestants are doing cover tunes to begin with.  And if  Daughtry's, was similar to the band "Live singer's  Ed Kowalczyk version it's probably because they have similar styles.

This is just rival fans trying to stir the pot.

--Lynda Johnson

 

*****

 
Cash from Johnny Cash
 
March 25. 2006 8:00AM

Picture

Readers share stories about their close encounters with famous people:

I was attending the University of New Hampshire in the early ’60s, when Johnny Cash did the Hootenanny show for NBC in Hanover at Dartmouth College.

My private trumpet instructor called me at UNH to say that Johnny was looking for two trumpet players to accompany him on Understand Your Man.

I played the rehearsal in the afternoon and then the live taping that evening. He gave us no music, just handed us a 45 recording to learn the tune the morning of the gig. As I remember, I played about 25 notes and he paid me out of his pocket: a sum of $40.”

****

Johnny Cash: Johnny, I Hardly Knew You

March 16, 2006
Richard Marcus

He'd always been there: a brooding presence emanating from radios and televisions that bore witness to all the evil that people could do to each other. Even when he was a younger man, you swore he'd lived hundreds of years already. The black hair couldn't belie the creases and lines on the face or the voice scraped raw from screaming in the night.

Yet, I look at pictures of him in the last years of his life; the hair had gone white, his hands were gnarled and twisted by age as if he'd become a grand old oak tree that weathered many a storm, and the years had been stripped away. If some of us are born young to age and gradually be beaten down by the world, he was born old to learn innocence and to find his way home.

"He's a walking contradiction, partly truth and partly fiction/Taking every wrong direction on his lonely way back home." Kris Kristofferson The Pilgrim (Chapter 33), 1970

In the long list of people who Kris claimed to have written the song for, his old mentor's name is listed as one amongst many, but I've always felt the rest were there as camouflage disguising the song's sole subject, and his isolation. In one of those great ironies that life plays, the cultivated image of the lone gunslinger dressed in black only served to hide the true nature of his lonely walk.

Johnny Cash's black clad figure has been as much a symbol of rugged American individualism as any other man in the last hundred years. Unlike other figures that have let their image be co-opted for various political movements or philosophies, he was never brought into any fold.

The music establishment in Nashville wanted nothing to do with him, but couldn't ignore the fact that he appealed to more people around the world than any of their other acts combined. They would try to claim him as one of their own, but it's hard to do that when you stretch out one hand in welcome and are using the other to try and shove somebody under the carpet.

I have often wondered what they used to say behind June Carter's back (Johnny's soul mate, and on again off again wife) about her relationship with Johnny. I doubt if anybody would have dared say anything to her face, but I'm sure there were things said along the lines of "How could a girl from such a good family..." or "He's only with her because of who she is."

June was the hand that reached out and brought Johnny back to safety when he was drowning in a sea of drugs and fame. But even she wasn't enough to keep all his demons at bay. Finding solace in drugs isn't a solution to anything, but when you feel like you have nothing else, it's an easy out.

I wouldn't presume to assume I know what demons possessed him; it's none of my business anyway. But I know that when I look at photos from certain points in his life the smiles seem to be hiding desperation. The unguarded pictures, the ones not posed or planned, transmit heartbreaking pain. Fatigue that goes beyond the physical emanates from every line etched on his face and tells more of his life's story than any biography ever could.

I'm not a Christian, and normally when people talk about their relationship with Christ and the Christian God, it makes me nervous. Too many of them make it sound like a threat. If you don't do like I do, you're toast. But when Johnny talked of Redemption, you understood what he meant and you knew he was sincere.

He never talked about it like it was a treat that could be taken away from you if you didn't behave, or that it was only available if you sent in your box tops and twenty-five dollars. Not only was he seeking to redeem himself in the eyes of his God, he seemed to spend his whole live trying to redeem himself to the man who looked out at him from the mirror everyday.

You also knew that the only person that Johnny would ever sit in judgement on would be himself. (Well maybe the country music establishment in Nashville) I can't see him being self-righteous or holier than thou. His faith gave him strength and offered him a way home. Peace for a troubled mind is sometimes salvation enough that the additional promise about saving your immortal soul isn't necessary.

When Johnny sang a gospel song, I always felt like I was intruding upon a personal conversation, eavesdropping on a man's personal prayer. He wasn't singing to impress anyone or to convert them. He was genuinely giving thanks.

I never met Johnny Cash; I only listened to his music and watched him on television a few times. Most of the time all I ever would see of him was the carefully presented image of "The Man In Black". It's only been in recent years, the almost three since his death on Sept. 12, 2003, and the couple of years before that when he was recording those last amazing records with Rick Rubin, that I began thinking about who he was beyond that cut out figure of the lone gunman.

It's truly amazing how, just because someone is a public figure, we think we know them. We refer to them by their first names when we either talk about or write about them, and we make casual assumptions about what their opinions on matters would be. We act like we have an intimate association; even though it's more than likely we've never even met them or exchanged a single word of conversation

No human being is so one dimensional that we can claim to "know" them just by what is presented as their public face. We can know facts and tidbits of information that will allow us to draw conclusions, conclusions that stand as much chance of being wrong as right, but nothing that justifies our proprietary attitude towards them.

On very rare occasions a musician comes along who lets pieces of his or her soul come through in their performances or their lyrics and like vampires we suck what ever nourishment we can get from them until they are bled dry. But even then, we aren't privy to their innermost thoughts and dreams.

Johnny Cash was one of those who bared quite a bit of his soul through performance, song writing, and his willingness to talk about himself and his life with a great deal of honesty. But last night, as I listened to The Man Comes Around, one of those discs recorded in the last years of his life, for the first time, I realized that for all my familiarity with his work, that I hardly knew him.

I'm not usually one for caring overly much about the famous and their lives, but for some reason I felt a surge of regret over my lack of knowledge. Part of that stems from fascination, but part of me also feels as if it were owed him in return for giving so much of himself to the world. Maybe if we hadn't been so ready to idolize the hard living, rugged individual image that the record companies sold us, we would have seen the pain that it was masking.

Would that have made any difference in his life? I don't know, perhaps not. What I do know is, that very few people probably knew him as well as he deserved. We all enjoyed the "Man In Black" persona too much to want to know about anything else. Even the drug addictions and fallings out with his wife were considered only in terms of how they fit that image.

He was cool and tough and sang songs about prison. He was an Outlaw and a man's man and no one wanted to know anything different. Looking back now, I think it can be safely said, Johnny we hardly knew you. That's a real pity.

Johnny Cash was born on February 26th, 1932 and died September 12, 2003. His wife of thirty-five years, June Carter-Cash preceded him the previous May. I hope that somewhere, somehow they are together and at peace. They deserve it.

* Painting by Michael Aldana Creative Commons copyright "Johnny Cash Is Dead"

 

****

 

Posted on Mon, Mar. 20, 2006

Cash’s first wife to tell her story in 2007 book

Associated Press

NASHVILLE, Tenn. – The first Mrs. Johnny Cash had a line to walk, too, and before she died last year she told about it in a book that will be published early next year.

“I Walked the Line,” by Vivian Liberto Distin, is slated to arrive Valentine’s Day 2007, it was announced Wednesday by Scribner, a division of Simon & Schuster.

The book’s title plays off Cash’s hit song, “I Walk the Line,” which he wrote about Vivian. The same title was used for the recent Golden Globe-winning movie that focused on Cash’s romance with his second wife, singer June Carter Cash.

The book is based on thousands of letters exchanged by the couple before their marriage while he was overseas with the Air Force, co-writer Ann Sharpsteen said. The couple divorced in 1966 after 13 years.

Kathy Cash, one of Johnny and Vivian’s daughters, said her mother visited her father in 2003 to tell him she wanted to do the book.

“He said, ‘Vivian, if anyone on this whole Earth should write a book it should be you,’ ” Kathy Cash said. Johnny Cash died in 2003.

“She had never gotten over Johnny, so it was a journey of healing,” Sharpsteen said of Distin.

*****

Posted 3/16/2006 10:17 PM
Johnny Cash tribute is money well spent
NEW YORK — On the list of trends we shouldn't encourage, I would rank the jukebox musical somewhere between reality TV and global warming. So it's with surprise that I find myself endorsing Ring of Fire (* * * 1/2 out of four), the homage to Johnny Cash that opened Sunday at the Ethel Barrymore Theatre.

Then again, Fire isn't really a jukebox musical, at least not in the cynical, exploitative sense in which that subgenre has flourished in recent years. Created and directed by Richard Maltby Jr., who also conceived Ain't Misbehavin', Fire is rather more, not unlike, that 1978 Fats Waller tribute: a revue that aims to capture the musical and personal spirit of its subject.

That's a complicated task in Cash's case, since he meant many different things to many different people. The man in black was both a country icon and a roots maverick, a red-state favorite and a hero to the disenfranchised and to modern-rock fans, particularly after he teamed up with the critically adored producer Rick Rubin and other edgy-pop darlings in the '90s.

That Fire succeeds in capturing these various aspects is a credit to Maltby and his collaborators, notably a cast that offers some of the best singing you're likely to hear on Broadway this season. As anyone who suffered through last year's Elvis-themed karaoke contest All Shook Up could tell you, not all musical-theater voices are suited to rawer, rootsier material. But Jeb Brown, Beth Malone, Cass Morgan, noted country/gospel artist Lari White and others in this gifted ensemble sound entirely at home delivering gritty, witty tunes by the likes of Kris Kristofferson, Jack H. Clement and Cash himself.

Though not a book musical, Fire loosely follows three couples at different stages of life. All at some point evoke Cash and his beloved second wife, June Carter, whether flirting with each other at the Grand Ole Opry or facing mortality together in a gorgeous reading of Waiting on the Far Side Banks of Jordan.

But the references aren't specific, and the themes of romantic and spiritual love, small-town life and big-time pressures are handled without coyness or condescension. An excellent band appears on stage, taking part in the numbers and further enhancing their authenticity.

I would still prefer that producers devote more time and money to encouraging new creative talent. But as exercises in nostalgia go, Fire burns brighter, truer and with more imagination than most.

 

Dyess, Arkansas -- Brandi Hodges Reports
Johnny Cash's Band Visits Dyess

March 18, 2006 -- Posted at 9:51 p.m. CST

 

DYESS, AR-- Two former band mates of country music legend Johnny Cash visited his hometown of Dyess , Arkansas Saturday afternoon to help plan a concert event.

 

The concert will be held to raise money to build a benefit for Johnny Cash.

 

Bob Wootton and W.S. Holland have played in Cash’s band, The Tennessee Three, for more than thirty years. 

 

In the time they played with Cash, the two formed life long friendships.

Now, they are touring again with other members of their band. 

 

As the only two members of the band who actually played with Cash, they are trying to keep their unique sound alive.

 

“I want to keep, not necessarily Johnny’s memory alive, but the music and the sound.  That’s what it was all about,” said Bob Wootton.

 

“We’re just trying to keep the sound of the records that Johnny Cash played going as long as we can,” said W.S. Holland.

 

Now The Tennessee Three are working closely with city officials in Dyess.

 

“We’re here to see if we can’t create enough excitement, and raise enough money to build a memorial to Johnny Cash,” said Wootton.      

 

“Tommy Cash is supposed to be here, Buddy Jewell, The Tennessee Three… we’re just tickled to death.  We're just trying to raise some money to do this memorial and do it right,” said Dyess Mayor Larry Sims.

 

Hopefully by bringing in groups like The Tennessee Three and singer Barbara Warhurst, the city of Dyess can be revitalized.

 

“I think it’s fantastic.  I think we’ll grow, and it’ll get bigger every year,” said J.E. Huff, a childhood friend of Cash.

      

Holland agrees, “This could be an annual event.  It would be a really good deal.”

      

Residents can't get enough of the sound that The Tennessee Three and Johnny Cash made so popular.

 

“Today it’s still what it was in 1954.  It’s different,” said Wootton.      

 

A difference people can associate with Dyess , Arkansas .

      

The concert will take place in Dyess on July 7th, 8th, and 9th.

 

 

 

'Line' drawn as Cash DVD soars to No. 1
Wed Mar 8, 2006 8:43 PM ET173
 

By Thomas K. Arnold

LOS ANGELES (Hollywood Reporter) - The Oscar-winning Johnny Cash drama "Walk the Line" took the top spot on the DVD sales and rental charts for the week ending March 5, easily beating a slate of high-profile competitors, according to data issued Wednesday.

The 20th Century Fox release outsold Disney's second-ranked "Lady and the Tramp" by a nearly 2-to-1 margin on VideoScan's First Alert charts.

"Walk the Line," starring best actress Oscar winner Reese Witherspoon, also was a big hit in rental stores, generating an estimated $9.2 million in revenue during its first week, according to trade publication Home Media Retailing. That's nearly 50% more than second-ranked "Yours, Mine & Ours," a family comedy that came to video after a respectable $53.4 million theatrical run.

*****

Johnny Cash's sister dies


08/03/2006 - 12:07:11 The family of country legend Johnny Cash (pictured) has suffered another blow - the singer/songwriter's sister has died.

The family of country legend Johnny Cash has suffered another blow - the singer/songwriter's sister has died.

Reba Cash Hancock lost her battle with a lengthy illness on Sunday - just before Reese Witherspoon picked up the Best Actress honor for playing her late sister-in-law June Carter Cash in biopic 'Walk the line'.

A funeral service for Cash Hancock, who managed the House of Cash museum and studio complex in Tennessee, will be held today.

 

****

Johnny Cash's Vault Opens

Revelatory, stripped-down tapes from the early 1970s discovered in archive

March 2, 2006

 

In July 1973, Johnny Cash spent several days in the studio at his House of Cash offices in Hendersonville, Tennessee, recording songs and telling tales with just an acoustic guitar and his virile craggy baritone. He sang Tin Pan Alley hits, traditional folk and gospel tunes, new originals and favorite covers by the Louvin Brothers and Johnny Horton, among others. He recited poetry and reminisced about his teenage job as a water boy on a river-dredging crew and the hours he spent glued to the radio, loving and learning the very songs he sang in these sessions.

But Cash, who died in September 2003, never issued any of these intimate performances. The tapes were shelved at House of Cash, where they sat forgotten and undisturbed until 2004, when his son John Carter Cash asked Steve Berkowitz, senior vice president of A&R at Legacy Recordings, Sony BMG's reissue imprint, and producer Gregg Geller for help in cataloging the hundreds of reels stored at the Hendersonville office. "Periodically, I would come across a white tape box with the House of Cash label on it that said 'Johnny Cash, Personal File,'" says Geller. "My sense is he had a concept album in mind, and these tapes were the beginning of that process."

Cash's dream finally comes true with the May release of the two-CD set Personal File, compiled by Geller and featuring forty-nine previously unissued solo Cash tracks, half from July '73 and the rest from similar, later House of Cash demos made in the late Seventies and early Eighties. Personal File arrives at a peak of posthumous Cashmania, fueled by the success of the biopic Walk the Line. The single-CD compilation, The Legend of Johnny Cash, is selling more than 40,000 copies a week, according to SoundScan.

But Personal File delivers a Cash even his most devoted fans have never heard before: at the height of his career and vocal power, telling the story of his life in music, as if he were sitting across from you. "This is his 'Basement Tapes,'" says Berkowitz, "as close as you can get to him singing on the porch." There was no documentation with the original reels to suggest Cash ever submitted them to Columbia, his label at the time. But John Carter Cash recalls his dad referring to these sessions at the time of his first album with producer Rick Rubin, 1994's stripped-back American Recordings. "He talked about how he'd made a record like it in the Seventies," John says, "but nobody was interested in putting it out."

The Personal File tapes were not the only riches buried at the House of Cash, now closed. The tape archive, Geller says, "was a large walk-in closet with, I like to think, virtually every recording that ever passed through his hands," including test pressings of Cash's Sun records and publishing demos by Willie Nelson and Kris Kristofferson. On one visit, Berkowitz noticed towers of unlabeled boxes wrapped in brown paper. Inside were multitrack audio masters from Cash's ABC TV series, The Johnny Cash Show, including unaired songs by guests such as Bill Monroe, Stevie Wonder and Derek and the Dominos. "It is extraordinary," says Berkowitz, who is planning future releases of the material (Sony owns the footage from the show). "You hear Louis Armstrong teaching Johnny to sing [Jimmie Rodgers'] 'Blue Yodel' and Ray Charles trying to teach the Carter Family to sing like the Raelettes."

The two-CD Personal File is just the beginning of what may be a long parade of releases from the Cash archives. In June, Sony is releasing Live in Denmark, a DVD of the Johnny Cash stage revue in the Seventies. And Geller says "the intent is to develop some other projects from, as we call them, 'the Hendersonville tapes.' There are other demos with his band, and there's live material."

"I knew there was treasure there," John Carter Cash says of the House of Cash trove. "But specifics -- that was the mystery of it. My father was creative until the very end of his life. He was genius wherever he went, whatever he did. Luckily, there was a place where this stuff was set aside."

DAVID FRICKE

*****

Cash Sales Soar.

March 2, 2006

Gigwise.com

Sales of Johnny Cash albums have gone up an incredible 700percent since ‘Walk The Line’ hit the cinemas.

The Johnny Cash compilation ‘Ring of Fire’ is outselling all the others, while the ‘Walk The Line’ soundtrack and live album ‘Live At Folsom Prison’ are also selling well.

HMV claims that 17 of its top twenty country albums are Johnny Cash works, while a number of his works are denting the ordinary chart.

The critically acclaimed film starring Joaquin Phoenix and Reese Witherspoon is at cinemas now.

 

******

 

3 million stand in "Line" for Johnny Cash DVD

March 2 2006

By Thomas K. Arnold

LOS ANGELES (Hollywood Reporter) - The much-vaunted "Oscar bounce," in which studios use Academy Awards buzz to help sell nominated films on DVD, is paying off for "Walk the Line."

The Johnny Cash biopic sold more than 3 million copies during its first day in stores Tuesday, 25% above the forecasts of its distributor, 20th Century Fox Home Entertainment.

"We're thrilled with this sales velocity and expect all of the activity around the Oscars to further boost sales and awareness this week and well into next," said Steve Feldstein, the studio's senior VP marketing communications. "But truly, it speaks volumes to the strength of the film and consumers' continued love affair with the DVD format."

"Line," whose nominations include acting nods for Joaquin Phoenix and Reese Witherspoon, was one of three Oscar-nominated films to hit DVD the week before Sunday's ceremony. The others are "Pride & Prejudice" and "A History of Violence."

 

*****

 

London, Ont., fans who saw Johnny Cash proposal cheer Oscar-nominated film

Angela Pacienza, Canadian Press

Published: Sunday, February 26, 2006

 

(CP) - The Oscar-nominated film Walk the Line has evoked sentimental memories for some London, Ont., residents who, nearly 40 years ago, witnessed a momentous occasion in Johnny Cash's life.

On Feb. 22, 1968, midway through a concert in the southern Ontario city, the Man in Black proposed to touring partner June Carter for the umpteenth time. Carter said yes, and the pair married a week later. The event marked a turning point in Cash's life, prompting him to clean up a nasty drug habit that had threatened to end his career.

The couple was married for 35 years before they both passed away in 2003 - within four months of one another.

The proposal is the climax of the Cash biopic, which has earned best actor nominations for its two stars - Joaquin Phoenix and Reese Witherspoon.

Many in London - tickled by the city's role in the film - say they'll be cheering it on when the Academy Awards are handed out March 5.

"I hope they do get an Oscar for it - and any other awards that are available to them," said Patricia Vannatter, who was a 27-year-old stay-at-home mom when she found herself with a second-row view of the proposal.

"I talk about it whenever I can. It was a very historical event. It should be talked about."

Vannatter, now 65, said the movie came "pretty close" to capturing the moment.

"It was in his eyes," she recalled. "June was really emotional. It was fabulous."

Andy Oudman, a local radio personality who was 17 when he attended the landmark show at the Treasure Island Gardens along with about 5,000 others, says Walk the Line has only cemented the myth of that long ago night in the minds of concertgoers.

"When it's portrayed in a movie, you go 'Yeah, it's a big deal,"' he said.

"Hindsight is always 20-20 of course. I don't think you could fully understand how significant that proposal was until you saw how it, in retrospect, was the turning point in Johnny Cash's life."

That's precisely why Larry Tillotson, a 52-year-old who works in the manufacturing sector, will be watching the Academy Awards.

"I normally don't watch the Oscars but I'm going to be watching that night because they're up for awards," said Tillotson, who was 14 when he attended the concert with his mom and dad. "I think (the actors) have a good shot at it."

Tillotson said initially he didn't even believe the proposal was real.

"Being 14 at the time, I thought it was all part of the show. I didn't take it seriously at all," he recalled. "My mother said 'Oh no, that was genuine' . . . you never go against mother's intuition."

Questions over whether the proposal was staged have existed for years, and the couple's only son, John Carter Cash, who was executive producer on the film, will only say he got all his information from the source.

"I was told the story many times about his proposal to her. From what I gathered from them, the details were really true to form in the film," he said in an interview from his home near Nashville.

"My parents had a vision for this film . . . the way their love and their life would be shown to the world."

The couple began the filmmaking process in the mid-1990s.

"I came in their stead to make sure their dreams and visions were held true. I believe that they were," said Cash Jr.

Fans who attended the 1968 concert (London was not on the usual tour circuit, but was the home of Cash's manager, Saul Holiff) were set to reunite Sunday night for a screening of the film on the eve of its DVD release.

But it's not all praise for the film.

While he's glad the proposal scene played such a big part in Walk the Line, Tillotson, like many other Londoners, is a bit miffed that the writers referenced London as "Ontario, Canada."

"Having been there and actually seeing it, you wish that part said London," he said.

Added Oudman: "It was a niggling thing about the movie that bugged people here a little, plus the fact that the building didn't look anything like the hockey rink where it actually happened."

But that might change. Cash Jr. was ecstatic to learn there were still fans around who recalled the proposal with such fondness.

"Oh my goodness! Isn't that great?" he said.

He hinted at the possibility of correcting the location title to say "London, Ontario, Canada" in the future.

"We'll see if we can get that changed for the DVD release of the extended version," he said.

Walk the Line isn't the only Oscar-nominated movie with a London connection. The city is also the hometown of director Paul Haggis, whose film Crash is up for several Oscars including best director, best original screenplay, and best best picture.

 

****

'Huge rise' in Johnny Cash sales
Johnny Cash
Johnny Cash died in 2003 at the age of 71
Sales of Johnny Cash records have risen since the biopic Walk the Line opened in the UK last month, according to leading music retailer HMV.

HMV reports sales of the singer's back catalogue have leapt by 676%. Currently 17 titles in its country music top 20 are Cash records.

In addition, four of its top 30 music DVDS and three of its top 20 books are by or about the late rock icon.

"These are the largest increases we've seen for many years," said a spokesman.

"As with other music icons such as Elvis Presley, the Beatles, Bob Dylan and Frank Sinatra, Cash has a significant fan base and his records will always sell.

"In February, however, there has been an enormous renewed interest in his work."

Interest surge

The Walk the Line soundtrack album featuring vocal performances from its stars Joaquin Phoenix and Reese Witherspoon is also selling strongly, he added.

Online retailer Amazon.co.uk has also seen a surge of interest in the performer's back catalogue.

"At one stage last month he had eight titles in our top 25," said a spokesman. Currently the singer has two entries in the chart.

Johnny Cash died in September 2003 at the age of 71, four months after the death of his second wife, June Carter Cash.

 

 

Cash’s Tennessee Three makes Hollywood History

March 2, 2006

(Hollywood, CA)    Arclight Cinemas, the landmark movie house in Los
Angeles, was home to a history-making event Tuesday night to celebrate
the DVD release of the Johnny Cash biopic “Walk the Line”.  20th
Century Fox hosted an evening of music, movies and celebrities with a
special screening event that also included performances by cast members
of “Walk the Line” and Johnny Cash’s original band, “The Tennessee
Three”.  It marked the first time the theatre ever conducted a live
musical performance.

The night began with an invitation-only cocktail reception and press
event followed by public events including live performances from Dan
John Miller (“Luther Perkins”), Larry Bagby (“Marshall Grant”), Waylon
Payne (“Jerry Lee Lewis”), Tyler Hilton (“Elvis Presley”) and the
Tennessee Three (WS Holland & Bob Wootton).  Next came a screening of
the movie followed by a Q&A with the band and cast.  Actress Jane
Seymour was on hand, but her husband, the film’s producer James Keach,
was scheduled but unable to attend due to a back injury.  Folsom Prison
concert archivist, Gene Beley, also participated to answer questions
about the infamous Folsom event, dramatically depicted in the film.

Playing to a sold-out house, the talented cast treated the audience to
two songs each.  An unplanned surprise was the addition of Tennessee
Three drummer, WS Holland, and Bassist, Lisa Horngren, acting as the
backing band for Tyler Hilton on his character’s popular hit song,
“That’s All Right.”  With the energy level of the room built to a fever
pitch, the sound that backed The Man In Black for nearly 40-years
manifested itself in the form of the evening’s headliners.  The
Tennessee Three performed their scheduled set of “Folsom Prison Blues”
and “Walk the Line” and then performed an encore of “Doin’ My Time”
when the audience’s response all but demanded it.

Gift bags for the events included an exclusively packaged action figure
of Johnny Cash made by Sota Toys, a copy of the “Walk the Line” DVD,
the soundtrack CD, and a black (what else?) T-shirt emblazoned with the
movie’s poster art.

The historic tour bus “JC Unit One” customized by Johnny Cash in 1979
at a cost of half a million dollars was on public display in front of
the theatre.  It is the only private bus that Cash ever owned and
toured in and is the vehicle currently used by the Tennessee Three. 
The band is on a national tour in support of their album titled “The
Sound Must Go On” which was also released on Feb. 28th.

“Walk the Line” is available at DVD retailers and “The Sound Must Go
On” is available at www.tennesseethree.com

 

Johnny Cash Band Releases New Album

February 22, 2006

(Nashville, TN) -The Tennessee Three, Johnny Cash’s band for nearly 
four decades, will release their new album “The Sound Must Go On” this 
February 28th.  It is intended to be the band’s very personal and final 
public farewell to their dear friend and long time employer, Johnny 
Cash.  Two original members of the Tennessee Three, Bob Wootton and WS 
Holland, say the title reflects the expectations of their fans, which 
is for the band to continue playing their iconic sound.

Fans of traditional Cash music will be pleased to hear that the 
upcoming CD contains many of their old favorites, like “Folsom Prison 
Blues,” “I Walk the Line” and “Ring of Fire” but some new material is 
included as well.  “You Walked Tall” is a new track which combines the 
titles of many of Cash’s hits in a clever and energetic song that is 
receiving much airplay on radio stations around the country.  “A 
Legend”, written by drummer WS Holland, is a poetic spoken word track 
that becomes the primary tribute piece among a well-planned collection 
of music.

Everything about this album has specific, personal meaning from the 
“June Blue” hues used for the cover, to a hidden pair of swallows; 
birds that traditionally represent loyalty.  Another tradition the 
Tennessee Three is keeping in place is the inclusion of family into the 
act.  The modern band also consists of Wootton’s wife, Vicky, and 
daughter, Scarlett, with an occasional appearance by his 8-year old, 
Montana.

A recent concert in Hollywood, California allowed the band to perform 
some songs from the new album in front of an audience of enthusiastic 
listeners.  Andrew Garcia, who watched the performance that night said, 
“I really felt like I was at a Johnny Cash concert, the music is just 
as stirring as it ever was, and for me anyway, much more emotional”  
Artist, Lynda Kay called the show, “A fitting homage to The Man In 
Black from the folks who knew him best.”  She concluded, “Bob Wootton 
sounded and looked so much like Cash, I thought I’d been transported 
back in time!”

One thing is certain, while the name “The Tennessee Three” may not be 
as well know as “Johnny Cash”, the music remains every bit as 
recognizable and still triggers the same passions in it’s audiences.  
The Tennessee Three is currently touring the country this spring and 
summer in support of the new album and plans to perform in Europe this 
fall.

“The Sound Must Go On” is available at www.TennesseeThree.com with more 
retailers to follow shortly.

 

HELLO, I'M THE JOHNNY CASH DVD  by Richard Horgan 2/17/2006 at 15:41
The Deleted Scenes are dreadful; but the Audio Commentary is dynamite.

Since Day One, I’ve been a huge fan of Walk the Line . In fact, I think it’s rather ludicrous that the well-intentioned but modest Good Night, and Good Luck, originally peddled years ago by George Clooney as a TV Movie, edged this epic film for a spot in the 2005 Best Picture category. Even more so after listening to co-writer and director James Mangold’s lucid, insightful and atypically articulate Audio Commentary for the DVD, which will hit stores the week before the Oscars on Tuesday, February 28th (the very same day, it turns out, as Good Night, and Good Luck).

Mangold is a big believer as a filmmaker in the power of an actor’s eyes. The best performers can say it all with the right glance, and know how to orchestrate that unique kind of eye contact dance with the camera. So, throughout the Commentary, Mangold singles out various exemplary instances in his film: how Joaquin Phoenix as Cash gazes with a mixture of awe and jealousy at touring show mate Elvis Presley (Tyler Hilton); the reason why Mangold himself shoots so many scenes of actors in his movies where they are seated at bars, looking away from the camera, because of the crisscross, back and forth interplay that it allows between a pair of talented actors; the look of befuddlement Reese Witherspoon as June Carter Cash gives Johnny for a particularly intrusive Vegas stage move; the mano-a-mano stare-down at the Thanksgiving dinner table between Cash and his distant dad (Robert Patrick). And so on.



The other recurring theme of Mangold’s commentary is the fact that he thrills whenever what’s happening, on the surface of a scene, is not at all equivalent to what’s really going on in with the characters. In this case, he gets to do this several times with the concert sequences, where the words and music of a song are diametrically opposed to the emotions the singers are feeling at that time in the film’s chronology. Thus, at the very moment when Johnny and June are seriously falling in love, the Bob Dylan song they cover pays lip service to anything but that idea.

Mangold first met Cash in 1999, and worked closely with he and June to do justice to their willingness to share things the iconic couple had previously left out from their books. It’s obvious, from the Commentary and the final film, just how much Mangold was the perfect guy for the job. He deliberately ringed Walk the Line with the same fiery narrative structure as one of his personal favorites, the James Dean starrer East of Eden, while still managing to portray the inner demons of Cash that made the singer point to the original Frankenstein as his all-time favorite film. E.g., the tale of a man made out of bad parts, fighting to be good, which Mangold indicates was the way Cash saw himself in real life.

Few traveling salesman get to transform their door-to-door greeting - "Hello, I’m John Cash from Home Equipment..." - into a pop culture catchphrase. And equally few Audio Commentaries turn out to be as fun to listen to as Mangold’s. So, while the deleted scenes and his VO of those prove ten times over that the right superfluous moments were cut, the rest of this filmmaker’s words will be music to any true movie fans’ ears.

 

New Johnny Cash Documentary Annouced
Warts and all promised...
by Chris Taylor
on 2/18/2006

Following the success of Hollywood bio-pic Walk The Line, a new documentary on the late, great Johnny Cash has been announced.

The Man In Black: A Documentary will reportedly take a no-holds barred look at Cash – who struggled with drug addiction and a torrid relationship with June Carter, before settling down with his fellow country music legend.

Released on DVD on 1st  May by Sanctuary Records, the documentary will chart Cash’s life from his humble beginnings in Arkansas through his sixties notoriety, through to his critical and commercial renaissance in the nineties, which was still gathering momentum when he passed away in 2003.

 

 


Cash memories keep on coming
Sun, February 19, 2006
By JAMES REANEY, FREE PRESS ARTS & ENTERTAINMENT REPORTER